How do they make silk now?

The history of silk-making dates back thousands of years. The art of silk production was first discovered in ancient China, home of the silkworm. Today, the silk production process remains mostly the same as it was millennia ago. Silk is made from cocoons that are spun by silkworms. But how do they make silk now? Here is a step-by-step guide to the fascinating process in which silk is produced.


This is the term used to describe the process of gathering the silkworms and harvesting the cocoon to collect the materials. Female silkmoths lay anything from around 300 – 500 eggs at any one time. These eggs eventually hatch to form silkworms, which are incubated in a controlled environment until they hatch into larvae (caterpillars). The silkworms feed continually on a huge amount of mulberry leaves to encourage growth. It takes around 6 weeks to grow to their full potential (about 3 inches). At this time, they’ll stop eating and begin to raise their heads – that’s when they’re ready to spin their cocoon. Attached to a secure frame or tree, the silkworm will begin spinning its silk cocoon by rotating its body in a figure-8 movement around 300,000 times – a process that takes around 3 to 8 days. Each silkworm produces just one single strand of silk, which measures about 100 metres long and is held together by a type of natural gum, called sericin.

Thread extraction

Once the silkworms have spun their cocoon, they will eventually enclose themselves inside it and then it’s time to extract the silk threads. The cocoons are placed into boiling water in order to soften and dissolve the gum that is holding the cocoon together. This is a crucial step in the silk production process as it ensures that there is no damage to the continuity of each thread.

Each thread is then carefully reeled from the cocoon in individual long threads, which are then wound on a reel. Some of the sericin may still remain on the threads to protect the fibres during processing, but this is usually washed out with soap and boiling water.


When the silk threads have been washed and degummed, they will be bleached and dried before the dyeing process commences. Traditional silk dyeing techniques take the dyes from natural resources found in the surrounding environment, such as fruit or indigo plant leaves. The threads will be soaked together in bundles, inside a pot of hot indigo leaves and water. This process will occur multiple times over a span of days to ensure the proper colour tone and quality.

However, these traditional dyeing methods have almost become extinct in the commercial manufacturing of silk. Advances in technology mean that manufacturers instead opt for using various dyes such as acid dyes or reactive dyes. This gives a greater range of choices in colours and shades to be able to serve wider demand.

That being said, the general idea behind the technique remains similar as the silk is immersed in a dye bath to soak up the colour. The silk may be fed into the bath through two cylinders, or fixed to a round jig that is immersed in the bath.

In many cases, this will be one of the last steps of the processes as manufacturers generally now prefer piece-dyeing in an attempt to reduce waste. By holding plain white stock ready to be dyed, it reduces the need to hold too much stock in specific colours that have not been ordered and so may never be used.


The traditional spinning wheel has always, and will always be an integral part of the silk production process. Although updated industrial processes are now able to spin silk threads much quicker, it simply mimics the functions of the classic spinning wheel.

The process of spinning essentially unwinds the dyed fibres onto a bobbin, so that they lay flat ready for the weaving process. This can be done in many different ways from hand-spinning to ring-spinning and mule spinning.


Weaving is the process in which the final piece of silk comes together. There are many different ways in which silk can be woven – satin weave, plain weave and open weave are most common, and the finish of the silk will depend on the type of weave.

Generally, weaving involves interlacing two sets of threads so that they lock around each other and create a strong, uniform piece of fabric. The threads will be woven at right angles to each other, and the two different angles are called a warp and a weft. The warp will run up and down the fabric, while the weft runs across it.


Should a piece of silk require a special pattern or design, it will need to be printed after pre-treatment. This can be done in two different ways: Digital Printing or Screen Printing. Digital silk printing uses a specially designed textile printer, using ink to transfer hand-drawn or digitally produced artwork onto fabrics.

Screen printing is the traditional, more hands-on method of essentially creating the same outcome – though in some cases, a bolder, more vibrant look may be achieved due to a thicker application of ink.


In order to be deemed ready for use, silks must be finished. Finishing a piece of silk gives it that highly lustrous sheen that it is so commonly known for, and is the reason that the desired look and feel can be achieved.

Silk finishing can be done in many different ways, mainly by applying different chemical treatments which can add a host of valuable properties including fire resistance and crease-proofing.